Natacha Seweryn

Cinema of Alternative Economies - Distribution: show / think (Paris 8 - Bordeaux Montaigne, FIFIB), information here

Prospects for sustainable jobs and well-being at work in festivals and cinemas, Festival La Rochelle Cinéma

First steps towards a sustainable employment structure, Brive film festival (France)

Direction of a study day dedicated to the state of play of employment contracts in film festivals, info here

Direction of a round-table dedicated to carbon offsetting, Biarritz Latin America Festival, info here

Direction of a round table on soft mobility, in partnership with CINA, Festival La Rochelle Cinéma, info here

Round table on responsible food in the context of festivals, info here

Participation in the organization of the symposium, Bodies, Genders, and Images, University Paris 8, details here

Direction of a day focused to the following question: "How cope with the digital transitions of film festivals?", in a sustainable development perspective, details here, Poitiers Film Festival, France

An Aesthetic of sorority, discussion between Laura Mulvey's programming and contemporary feminist approaches, information here.

Participation in a round table: "Giving to see: ecological praxis of contemporary cinema", within the framework of the seminar Arts, Transitions, Ecology, Université Paris 8, info here

Organization of an online seminar: “Les images en communs #6” – On Curation and Programming, with Gabriel Menotti, Miriam De Rosa, and Nico Marzano – for the association “After the social networks”

"Aesthetics of ubuntu, aesthetics of sorority: an ethic of common path" with Clémentine Dramani-Issifou (LESA, Université Aix-Marseille), Doctoral study day, Paris 8

"A history of viral dances: the aesthetic and political circulation of filmed gestures", during TMNlab #20: "Online audiences, audiences within", in french here

"Computer are our new cameras", For State of the Arts, an international conference organized by Frédéric Martel, Gaité Lyrique, Paris, program here

‘Making films with videos that one has not shot: challenges of the distribution of atypical audiovisual works in France since 2012’, ENSAD, Paris, with After the Social Networks, info here

Aesthetics of Contemporary Documentary Cinema (12h), Bordeaux Montaigne University, M2

Writing for Cinema (48h), Bordeaux Montaigne University, L1

Professions in the Audiovisual Industries (25h), Audencia Nantes, Major in Audiovisual Creation and Production

History of Cinema (16h), Cinémagis, Bordeaux

Professions in the Audiovisual Industries (25h), Audencia Nantes, Major in Audiovisual Creation and Production

Professions in the Audiovisual Industries (25h), Audencia Nantes, Major in Audiovisual Creation and Production

Professions in the Audiovisual Industries (25h), Audencia Nantes, Major in Audiovisual Creation and Production