La Revue Documentaires n°33 - Program - "To write before, interview with Carlos Muguiro" and "Create a parallel world, scratch the standard", here
Study on the feasibility, pertinence & design of a Lab Projects support program dedicated to the non-conventional cinema (online here) - Eurimages Fund
Prospects for sustainable jobs and well-being at work in festivals and cinemas, Festival La Rochelle Cinéma
First steps towards a sustainable employment structure, Brive film festival (France)
Direction of a study day dedicated to the state of play of employment contracts in film festivals, info here
Direction of a round-table dedicated to carbon offsetting, Biarritz Latin America Festival, info here
Direction of a round table on soft mobility, in partnership with CINA, Festival La Rochelle Cinéma, info here
Round table on responsible food in the context of festivals, info here
Participation in the organization of the symposium, Bodies, Genders, and Images, University Paris 8, details here
Direction of a day focused to the following question: "How cope with the digital transitions of film festivals?", in a sustainable development perspective, details here, Poitiers Film Festival, France
An Aesthetic of sorority, discussion between Laura Mulvey's programming and contemporary feminist approaches, information here.
Organization of an online seminar: "Images in common #6" - About curation and programming, with Gabriel Menotti, Miriam De Rosa, and Nico Marzano - for the association "After social networks"
Participation in a round table: "Giving to see: ecological praxis of contemporary cinema", within the framework of the seminar Arts, Transitions, Ecology, Université Paris 8, info here
Within the framework of the ESTCA doctoral day, "Aesthetics of ubuntu, aesthetics of sorority: an ethic of
common path" with Clémentine Dramani-Issifou (LESA, Université Aix-Marseille) Moderation: Mathieu Kleyebe Abonnenc, PhD student (ESTCA), and Christa Blümlinger, Professor (ESTCA).
"A history of viral dances: the aesthetic and political circulation of filmed gestures", during TMNlab #20: "Online audiences, audiences within", in french here
"Computer are our new cameras", For State of the Arts, an international conference organized by Frédéric Martel, Gaité Lyrique, Paris, program here
‘Making films with videos that one has not shot: challenges of the distribution of atypical audiovisual works in France since 2012’, ENSAD, Paris, with After the Social Networks, info here
Film writing - University Bordeaux Montaigne - Licence 1
Film programming for festivals - Theoretical, analytical & experiential approach - EQZE, San Sebastian, Master for Film curating studies
Master 2 Documentary cinema: memory, archive, creation - aesthetics of contemporary documentary cinema
Film writing - University Bordeaux Montaigne - Licence 1
History of cinéma - Cinémagis, Bordeaux
Major in audiovisual production and creation, Audencia, Nantes, France - Classes: Actors and professions in the audiovisual industries, Marketing strategy in the audiovisual sector
Major in audiovisual production and creation, Audencia, Angoulême, France - Classes: Actors and professions in the audiovisual industries, Marketing strategy in the audiovisual sector
Major in audiovisual production and creation, Audencia, Angoulême, France - Classes: Actors and professions in the audiovisual industries, Marketing strategy in the audiovisual sector, Digital marketing